果然內地偶像劇（jù）編劇（jù）永遠（yuǎn）覺得男女之間最（zuì）偉大的感情就是（shì）狗血愛情，所有緣分都要以愛情做注才能實現人與人之間羈絆的最高形（xíng）式。。而給一（yī）個（gè）女孩子最大（dà）的獎賞無非就是讓兩個大帥哥在為你爭搶，隨時對你摟摟抱抱，這才能引來（lái）同類（lèi）的豔（yàn）羨，從而完成自我認同。。這（zhè）種流毒才是女性被壓榨的源頭，因為你（nǐ）隻能從異性的評價中尋求自我認同，而成（chéng）為一個天真明快大大咧咧的溫暖少女（nǚ）無疑是最不會出錯（cuò）的人設

太好看啦！！！！！！！~~~~~~~~~

In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.

不喜歡美國的西班牙裔說英（yīng）語的感覺（jiào）

依靠最後精彩（cǎi）的兩集把前麵讓人疲憊的無盡沉淪無病呻吟的觀感拉回（huí）來了點，但願Fezco沒事。